tranzit is a contemporary art program supported by the Erste Bank Group
The exhibition Parallel Chronologies and the symposium The Invisible
History of Exhibitions is part of the international project Art Always Has
Its Consequences co-financed by the Culture 2007 program of the European
Union (partners: WHW Zagreb, tranzit. hu, Muzeum Sztuki Łódź, kuda.org
Novi Sad).
21. May 2009, Thursday
Welcome and introduction
Dóra Hegyi and Zsuzsa László curators, Budapest (HU)
Revisiting exhibitions: reconstruction and re-contextualization
Reesa Greenberg, independent scholar, cultural historian, adjunct Professor of Art History at Carleton University, Ottawa and York University, Toronto (CA)
Exhibition histories: monographic, multimodal and meta-reconstructions
Vít Havránek, curator, project leader of tranzit.cz, Prague (CZ)
“Schizophrenic Love” - Emotional relations to the public exhibition space
Jelena Vesić, art historian, curator – Dušan Grlja, political theorist prelom kolektiv, Belgrade (SRB)
The Case of Students' Cultural Centre, Belgrade in the 1970s
Branka Ćurčić, artist and researcher – Zoran Pantelić, artist, producer, educator, kuda.org, Novi Sad (SRB)
The Novi Sad Neo Avant-garde of the 1960s and 1970s. Mapping of Social and Art History in Novi Sad - Methodology of an Exhibition
Archives - the archive as exhibition format and exhibition archives
Nataša Petrešin-Bachelez, independent curator and writer, PhD candidate at EHESS, Paris (SLO/FR)
Innovative forms of archive – exhibitions, events, books and museums
Andrea Tarczali, PhD candidate at ELTE University Budapest, art historian, aesthetician (HU)
Intelligence Increase = Intelligence Enhancement (Portable I² Museum. Pop Art, Conceptual Art, Actionism in Hungary in the sixties, 1956-1976.)
Isabelle Schwarz, art historian and curator, Sprengel Museum, Hannover (DE)
Independent Art Spaces in Hungary and Poland: Artpool Archive, the Exchange Gallery and the Accumulatory Gallery
Yelena Kalinsky, art historian and curator, PhD candidate in the Department of Art History at Rutgers University (RU)
Exhibiting Discourse: Performance and the Archive in Moscow Conceptualism
Magdalena Ziolkowska, art historian and curator, Muzeum Sztuki, Łódź (PL)
Idea Art
Keiko Sei, writer, curator, media-researcher (JPN/THA)
Exhibition in Video Cassette
Lecture by IPUT-Archives (superintendent: Tamás St.Auby)
A superficial lecture on a deep change
22. May 2009, Friday
East European Exhibitions as tools of identity-politics
Georg Schöllhammer, writer and curator, chief editor of Springerin (AT)
Work with the Drawers, Slide Trays, Files and Boxes!
Izabel Galliera, phD student, Department of History of Art and Architecture, University of Pittsburgh (US)
Interrogating Curatorial Frameworks: Exhibitions of Art from Post-1989 Eastern Europe
Maja and Reuben Fowkes, art historians and curators, translocal.org (GB,HR)
Partisan Exhibitions at the Zero Hour of Curatorial History
Exhibition making as an emancipatory practice
Judit Angel, art historian, curator, Kunsthalle Budapest (HU)
Complexul muzeal and related issues
Cristian Nae, art theoretician, assistant professor at G. Enescu Art University, Iasi (RO)
From Events to Processes. Rethinking Public Sphere in the History of Periferic biennial.
Emese Süvecz, art critic, participant in the critical studies program at Malmö Art Academy(HU)
Smuggling ideologies? – feminism in the Cold-War Hungary
Orshi Drozdik, visual artist based in Budapest and New York (HU/US)
The Female Nude Model. Life drawing and art practice in the patriarchal art history and in the state-party's art politics
Ana Dević, art historian, curator, What, How and for Whom? (HR)
Revisiting the past, parallel researches
Viktor Misiano, art critic and curator (RU)
"Hamburg project" versus "Kliazma project". On Artistic Dialogue in a Time of Transition
Round Table and closing discussion
How to make exhibitions about exhibitions? Between academic and curatorial
research
Moderator: Georg Schöllhammer (AT)
Participants: Reesa Greenberg (CAN), Júlia Klaniczay co-founder and director of Artpool Art Research Center (HU), Lívia Páldi chief curator, Kunsthalle Budapest (HU), Katalin Timár curator and theorist (HU), Ivet Ćurlin, art historian, curator – WHW (HR)
The panel aims to discuss different approaches dealing with historical events and archives. Are academic scholars more precise in collecting data and interpreting them “objectively”, while does curatorial research really aim to create inspirational collages out of facts?
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