tranzit is a contemporary art program supported by the Erste Bank Group
The exhibition Parallel Chronologies and the symposium The Invisible
History of Exhibitions is part of the international project Art Always Has
Its Consequences co-financed by the Culture 2007 program of the European
Union (partners: WHW Zagreb, tranzit. hu, Muzeum Sztuki Łódź, kuda.org
Novi Sad).
I cannot willingly answer this exaggeratedly superficial, childish question. Nevertheless, I will answer, likewise superficially, but in good faith.
the IPARTERV exhibitions including also the KFKI exhibitions on Budafoki út,
the R-exhibition,
a few FIKA (FMK – Club of Young Artists) exhibitions,
Krisztián Frey’s exhibition (in a house of culture of an outlying district),
Sándor Altorjai’s exhibition (in Mednyánszky Hall),
Gyula Pauer’s Pseudo-exhibition (in a house of culture of an outlying district),
Csaba Koncz’s photo exhibitions,
the activity of Dr. László Végh (a physician who organized progressive art, literature and music events in the 60s)
the activity of Pál Petri-Galla (famous of flat-exhibitions and progressive music collection),
the activity of Éva Körner (art historian),
the activity of László Beke (art historian),
the activity of Miklós Erdély,
the Lunch happening (1966),
Flux-concert (1969), and the action-evenings at the Egyetemi Színpad (University Stage),
the Lakásszínház (the Apartment Theatre),
Tibor Hajas’s actions,
some of the shows at the Balatonboglár Chapel,
the concerts at the Új Zenei Stúdió (New Music Studio),
KEX concerts,
Spions concerts,
and ”House-parties” as the art of the era.
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