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Párhuzamos Kronológiák / Parallel Chronologies

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tranzit is a contemporary art program supported by the Erste Bank Group

The exhibition Parallel Chronologies and the symposium The Invisible History of Exhibitions is part of the international project Art Always Has Its Consequences co-financed by the Culture 2007 program of the European Union (partners: WHW Zagreb, tranzit. hu, Muzeum Sztuki Łódź, kuda.org Novi Sad).

The Invisible History of Exhibitions - international symposium

2009.05.21.

21. May 2009, Thursday


Welcome and introduction
Dóra Hegyi and Zsuzsa László curators, Budapest (HU)
Revisiting exhibitions: reconstruction and re-contextualization

Reesa Greenberg, independent scholar, cultural historian, adjunct Professor of Art History at Carleton University, Ottawa and York University, Toronto (CA)
Exhibition histories: monographic, multimodal and meta-reconstructions

Vít Havránek, curator, project leader of tranzit.cz, Prague (CZ)
“Schizophrenic Love” - Emotional relations to the public exhibition space

Jelena Vesić, art historian, curator – Dušan Grlja, political theorist prelom kolektiv, Belgrade (SRB)
The Case of Students' Cultural Centre, Belgrade in the 1970s

Branka Ćurčić, artist and researcher – Zoran Pantelić, artist, producer, educator, kuda.org, Novi Sad (SRB)
The Novi Sad Neo Avant-garde of the 1960s and 1970s. Mapping of Social and Art History in Novi Sad - Methodology of an Exhibition


Archives - the archive as exhibition format and exhibition archives

Nataša Petrešin-Bachelez, independent curator and writer, PhD candidate at EHESS, Paris (SLO/FR)
Innovative forms of archive – exhibitions, events, books and museums

Andrea Tarczali, PhD candidate at ELTE University Budapest, art historian, aesthetician (HU)
Intelligence Increase = Intelligence Enhancement (Portable I² Museum. Pop Art, Conceptual Art, Actionism in Hungary in the sixties, 1956-1976.)

Isabelle Schwarz, art historian and curator, Sprengel Museum, Hannover (DE)
Independent Art Spaces in Hungary and Poland: Artpool Archive, the Exchange Gallery and the Accumulatory Gallery

Yelena Kalinsky, art historian and curator, PhD candidate in the Department of Art History at Rutgers University (RU)
Exhibiting Discourse: Performance and the Archive in Moscow Conceptualism

Magdalena Ziolkowska, art historian and curator, Muzeum Sztuki, Łódź (PL)
Idea Art

Keiko Sei, writer, curator, media-researcher (JPN/THA)
Exhibition in Video Cassette

Lecture by IPUT-Archives (superintendent: Tamás St.Auby)
A superficial lecture on a deep change


22. May 2009, Friday

East European Exhibitions as tools of identity-politics

Georg Schöllhammer, writer and curator, chief editor of Springerin (AT)
Work with the Drawers, Slide Trays, Files and Boxes!

Izabel Galliera, phD student, Department of History of Art and Architecture, University of Pittsburgh (US)
Interrogating Curatorial Frameworks: Exhibitions of Art from Post-1989 Eastern Europe

Maja and Reuben Fowkes, art historians and curators, translocal.org (GB,HR)
Partisan Exhibitions at the Zero Hour of Curatorial History


Exhibition making as an emancipatory practice

Judit Angel, art historian, curator, Kunsthalle Budapest (HU)
Complexul muzeal and related issues

Cristian Nae, art theoretician, assistant professor at G. Enescu Art University, Iasi (RO)
From Events to Processes. Rethinking Public Sphere in the History of Periferic biennial.

Emese Süvecz, art critic, participant in the critical studies program at Malmö Art Academy(HU)
Smuggling ideologies? – feminism in the Cold-War Hungary
Orshi Drozdik, visual artist based in Budapest and New York (HU/US)
The Female Nude Model. Life drawing and art practice in the patriarchal art history and in the state-party's art politics

Ana Dević, art historian, curator, What, How and for Whom? (HR)
Revisiting the past, parallel researches

Viktor Misiano, art critic and curator (RU)
"Hamburg project" versus "Kliazma project". On Artistic Dialogue in a Time of Transition
 


Round Table and closing discussion
How to make exhibitions about exhibitions? Between academic and curatorial
research

Moderator: Georg Schöllhammer (AT)
Participants: Reesa Greenberg (CAN), Júlia Klaniczay co-founder and director of Artpool Art Research Center (HU), Lívia Páldi chief curator, Kunsthalle Budapest (HU), Katalin Timár curator and theorist (HU), Ivet Ćurlin, art historian, curator – WHW (HR)

The panel aims to discuss different approaches dealing with historical events and archives. Are academic scholars more precise in collecting data and interpreting them “objectively”, while does curatorial research really aim to create inspirational collages out of facts?

Szólj hozzá!

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